Salzburg
Summer Festival
From 4 August to 9 August 2026
Type of stay

Musical journeys

Availability

Inscriptions ouvertes

Price

From €9,350 per person

In Salzburg, summer is not an interlude but an intensification. Framed by Alpine reliefs and shaped by Baroque architecture of near-musical precision, the city enters a state of continuous vibration. Days lengthen, perspectives open, and every space—from the old town to the great festival halls—becomes a resonant chamber. Music does not dominate the city; it courses through it, structures it, inhabits even its silences.

 

For more than a century, the Salzburg Festival has stood as a forum where the great repertoire confronts the most singular artistic visions of our time. Messiaen’s Saint François d’Assise takes shape under Maxime Pascal and the radical gaze of Romeo Castellucci. Rossini’s jubilant virtuosity finds expression in Il Viaggio Reims with Cecilia Bartoli and Florian Sempey in Barrie Kosky’s incisive production. Mozart occupies a central place with Così fan tutte, embodied by Elsa Dreisig and Lea Desandre, while Strauss unfolds his world of contrasts in Ariadne auf Naxos with the noble presence of Elīna Garanča. The journey expands into the symphonic tradition with the Vienna Philharmonic under Tugan Sokhiev, before returning to the timeless blaze of Carmen in Teodor Currentzis’s incandescent reading, embodied by Asmik Grigorian.

 

Together, these evenings form a coherent itinerary in which leading figures of today’s musical world enter into dialogue with the works, each performance marking a decisive stage in a total artistic voyage.

The program
Saint-François d'Assise, by O. Messiaen
Tuesday 4 August 2026
Il Viaggio a Reims, by G. Rossini
Wednesday 5 August 2026
Cosi fan tutte, by W. A. Mozart
Thursday 6 August 2026
Ariadne auf Naxos, by R. Strauss
Friday 7 August 2026
Vienna Philharmonic | Sokhiev
Saturday 9 August 2026
Carmen, by G. Bizet
Saturday 9 August 2026
TUESDAY 4 AUGUST 2026

5 p.m., at the Felsenreitschule:

SAINT FRANÇOIS D’ASSISE, by O. Messiaen

Vienna Philharmonic

Concert Association of the Vienna State Opera Chorus

Maxime Pascal Conductor
Romeo Castellucci

 

Director

 

Lauranne Oliva The Angel
Philippe Sly Saint François
Sean Panikkar The Leper
Russell Braun Brother Leo
Léo Vermot-Desroches Brother Massaeus
Aaron-Casey Gould Brother Elias
Willard White

 

Brother Bernard

 

A work without parallel, Saint François d’Assise occupies a singular place in the history of opera. Olivier Messiaen’s final stage work unfolds as a vast meditation on grace, nature and transfiguration, liberated from traditional narrative conventions. Here, Messiaen abandons dramatic logic in favour of an expanded, almost suspended sense of time, in which music becomes a space for contemplation. Romeo Castellucci’s staging places the work within a visual dimension of rare radicalism, rejecting anecdotal illustration in favour of a sensory and spiritual experience. At the head of the orchestra, Maxime Pascal brings an organic breath to the score, attentive to silence, to bursts of colour and to the sound masses that shape this musical monument. The evening emerges as a total experience, where opera becomes a site of inner transformation, inviting a slow, almost initiatory form of listening.
WEDNESDAY 5 AUGUST 2026

6.30 p.m., at the Haus für Mozart:

IL VIAGGIO A REIMS, by G. Rossini

Les Musiciens du Prince – Monaco

Chorus of the Monte-Carlo Opera

Gianluca Capuano Conductor
Barrie Kosky

 

Director

 

Cecilia Bartoli Corinne
Marina Viotti Marchesa Melibea
Mélissa Petit Contessa di Folleville
Tara Erraught Madama Cortese
Edgardo Rocha Chevalier Belfiore
Dmitry Korchak Conte di Libenskof
Ildebrando D’Arcangelo Lord Sidney
Florian Sempey Don Profondo
Misha Kiria Baron di Trombonok
Peter Kellner Don Alvaro
Giovanni Romeo Don Prudenzio
Helena Rasker Maddalena
Rodolphe Briand Zefirino
Rafał Pawnuk

 

Antonio

 

Conceived for an ephemeral celebration and long regarded as a work of circumstance, Il Viaggio a Reims has since established itself as one of Rossini’s most refined masterpieces. This opera without a true plot rests on a concept both simple and brilliant: a journey that will never take place. Around this immobile expectation, Rossini deploys dazzling vocal virtuosity, allowing each character to assert a distinct musical identity. Barrie Kosky’s staging fully embraces this formal freedom, transforming inaction into a jubilant theatrical mechanism driven by humour, precision and collective energy. Cecilia Bartoli, at the heart of the cast, displays an incandescent vocal artistry, while Florian Sempey brings a stage presence and vocal elegance that embody the Rossinian spirit in all its vitality. The production celebrates opera as play, as encounter, and as the pure pleasure of shared music-making.
THURSDAY 6 AUGUST 2026

6.30 p.m., at Grosses Festspielhaus:

COSÌ FAN TUTTE, by W. A. Mozart

Vienna Philharmonic

Concert Association of the Vienna State Opera Chorus

Joana Mallwitz Conductor
Christof Loy

 

Director

 

Elsa Dreisig Fiordiligi
Victoria Karkacheva Dorabella
Adrè Schuen Guglielmo
Bogdan Volkov Ferrando
Lea Desandre Despina
Johannes Martin Kränzle

 

Don Alfonso

 

Beneath the guise of light comedy, Così fan tutte remains one of Mozart’s most lucid and unsettling operas. Exploring games of love, fidelity and illusion, Mozart composes a work of troubling ambiguity, in which every smile conceals a fracture. The music, of absolute formal perfection, acts as a revealer of human vulnerability. In this production, Elsa Dreisig lends Fiordiligi an inward intensity and a vocal line of great nobility, while Lea Desandre embodies a Dorabella both sensitive and mobile, shaped by doubt and desire. Together, they give the work an emotional depth that far exceeds the boundaries of comedy, reminding us that Così fan tutte is, above all, a meditation on the fragility of feeling.

 

 

 

FRIDAY 7 AUGUST 2026

6 p.m., at the Haus für Mozart:

ARIADNE AUF NAXOS, by R. Strauss

Vienna Philharmonic
Manfred Honeck Conductor
Ersan Mondtag

 

Director

 

Kate Lindsey The Composer
Elīna Garanča The Prima Donna / Ariadne
Eric Cutler The Tenor / Bacchus
Ziyi Dai Zerbinetta
Johannes Silberschneider The Major-Domo
Christoph Pohl The Music Master
Jonas Hacker The Dancing Master
Leon Košavić Harlequin
Michael Porter Scaramuccio
Lukas Enoch Lemcke Truffaldino
Theodore Browne Brighella
Jasmin Delfs Naiad
Anja Mittermüller Dryad
Marlene Metzger

 

Echo

 

A work of contrasts and metamorphosis, Ariadne auf Naxos questions the coexistence of two artistic worlds: mythological tragedy and light comedy. Richard Strauss unfolds a score of exceptional richness, oscillating between sumptuous lyricism and subtle irony. Ariadne, abandoned on her island, embodies both the pain of solitude and the promise of rebirth. In this demanding role, Elīna Garanča asserts a vocal and dramatic presence of rare nobility, lending the character an almost tragic depth. Her expansive, nuanced voice embraces the contradictions of the work, suspended between despair and transfiguration. Ariadne auf Naxos thus emerges as a reflection on art itself, on its power to sublimate suffering and transform abandonment into light.
SATURDAY 8 AUGUST 2026

11 a.m., at the Grosses Festspielhaus:

VIENNA PHILHARMONIC | SOKHIEV

Vienna Philharmonic
Tugan Sokhiev

 

Conductor

 

Lang Lang

 

Piano

 

Programme:

– M. Ravel : Piano concerto in G major;

– C. Debussy : La Mer – Trois esquisses symphoniques ;

– S. Prokofiev : Suite from Romeo and Juliette Op. 64.

 

The presence of the Vienna Philharmonic in Salzburg is always an event in itself, embodying a symphonic tradition intimately linked to the history of the festival. Under Tugan Sokhiev, this morning concert reflects an approach both rigorous and deeply inhabited. A conductor of breath and inner tension, Sokhiev favours an organic reading attentive to balance, structure and phrasing. The Vienna Philharmonic’s sound—ample, dark and of almost tactile density—finds here an ideal terrain of expression, revealing music that unfolds without emphasis yet with natural authority. This matinee offers a moment of pure concentration, an immersion in orchestral excellence where tradition remains alive, constantly re-examined through the musical intelligence of the present.

 

 

 

 

6.30 p.m., at the Grosses Festspielhaus:

CARMEN, by G. Bizet

Utopia orchestra and chorus

Salzburg Bach Choir

Salzburg Festival Children’s Choir

Teodor Currentzis Conductor
Gabriela Carrizo

 

Director

 

Asmik Grigorian Carmen
Jonathan Tetelman Don José
Kristina Mkhitaryan Micaëlla
Davide Luciano Escamillo
Iveta Simonyan Frasquita
Anita Monserrat Mercédès
Matthias Winckhler Zuniga
Liviu Holender Moralès
Michael Arivony Le Dancaïre
Mingjie Lei

 

Le Remendado

 

Among the most frequently performed operas worldwide, Carmen nonetheless remains one of the repertoire’s most radical works. Beneath its popular surface, Bizet composes a tragedy of stark violence, where female freedom collides head-on with social norms and possessive desire. The Salzburg interpretation, entrusted to Teodor Currentzis, embraces this original radicalism. Rejecting decorative sentimentality, Currentzis strips the score to its core, revealing a Carmen that is raw, tense and dangerously alive. Within this incandescent framework, Asmik Grigorian delivers a heroine of striking intensity. Far from archetype, her Carmen resists easy seduction, embodying a fierce freedom embraced to the point of destruction. Sustained by unrelenting musical tension, the evening becomes a true theatrical shock, reaffirming that Carmen is not an opera of local colour, but a work of rupture—one that remains fiercely contemporary in its brutality and clarity.

 

Your choice of accommodation
GOLDENER HIRSCH *****

Located directly opposite the Festival Halls, the Goldener Hirsch, long cherished by music lovers, stands just steps from Mozart’s birthplace. Warm, refined and steeped in history, it embodies the very essence of Salzburg hospitality.

SACHER *****

Set along the banks of the Salzach River, facing the sweeping panorama of the Old Town, the Fortress and the Alps, the Sacher represents Salzburg’s grand hotel tradition, distinguished by impeccable service and timeless elegance.

Price per person
Deluxe double room package at the Goldener Hirsch

€9,350 per person

 

This price includes: accommodation in a double room with breakfast for 3 nights • city tax • category I tickets for the scheduled performances • repatriation assistance.

This price does not include:  personal expenses • transportation • airport transfers.

 

Individual stay.

Transportation and airport transfers available upon request.

Deluxe double room single use package at the Goldener Hirsch

€17,855 per person

 

This price includes: accommodation in a double room with breakfast for 3 nights • city tax • category I tickets for the scheduled performances • repatriation assistance.

This price does not include:  personal expenses • transportation • airport transfers.

 

Individual stay.

Transportation and airport transfers available upon request.

Deluxe double room river view package at the Sacher

€11,450 per person

 

This price includes: accommodation in a double room with breakfast for 3 nights • city tax • category I tickets for the scheduled performances • repatriation assistance.

This price does not include:  personal expenses • transportation • airport transfers.

 

Individual stay.

Transportation and airport transfers available upon request.

Deluxe double room river view single use package at the Sacher

€17,865 per person

 

This price includes: accommodation in a double room with breakfast for 3 nights • city tax • category I tickets for the scheduled performances • repatriation assistance.

This price does not include:  personal expenses • transportation • airport transfers.

 

Individual stay.

Transportation and airport transfers available upon request.

Information about this trip
In charge of the destination
Pauline Heckly
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